relation entre l'artiste et le public

Tafelmusik...C'est le mot allemand qui signifie "musique de table", il y a même les compositions intitulé ainsi, de Telemann, par exemple.

Erik Satie pensait "musique comme un meuble", donc la musique qui est juste là (et qui n'insiste pas d'être écouté attentivement....?!)

Mais quand vous allez au concert, vous  voulez plus que la musique qui accompagnie votre dîner ou qui est juste là comme un meuble, j'imagine...

 

Sur la scène on est en communication directe avec le public. On sait, si le public suit ce-qu'on est en train de jouer, ou s'il s'ennuie. On peut le sentir comme la température d'air, à la peau. 

Ce n'est pas toujours la faute d'artiste, que le public s'ennuie ! J'ai donné le même programme deux fois et je ne pense pas que j'ai joué vraiment mal la première fois, mais le public était glacial ! Le deuxième jour j'étais accueillie chaleureusement, et bien sûr il était beaucoup plus agrèable et facile à jouer.

 

Le public a aussi un role actif !

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Commentaires: 18
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